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NOVEMBER 6, 2001

My Fellow Americans

All I want to know is this: when is it going to be okay for me to get angry at my fellow Americans again?

Don't get me wrong - I'm trying to do my part in America's war on terrorism. I'm living my life normally while being on heightened alert, I'm suspicious of all mail bearing New Jersey postmarks, no return addresses, or containing the words "Verizon" or "AT&T," and I'm contemplating supporting the economy by purchasing any number of memorial tee shirts, stickers, special-edition magazines, flags and commemorative videos.

It's just that I'm having a problem with this whole "united we stand" thing.

You see, every once and a while I feel a certain amount of animosity towards some of my fellow Americans, specifically the ones who cut me off on the highway, or call me 15 times a day to offer me enrollment in credit protection programs that frankly, as a self-employed musician, I'm not eligible for anyway.

Now normally I would say something or express my displeasure through gestures that can be easily understood at 75 miles an hour. But these are different times. Getting angry at my brothers in arms would be unpatriotic - it would put me at odds with the unity that is required of our nation at this moment. It would make me the weak link in America's war on terrorism and believe me I don't want to be the one to let down my fellow Americans.

I would, however, like to let LOOSE on at least one.

It happened while I was playing this club that becomes a karaoke bar the minute the live acts finish. I was returning from a break, getting ready to perform again for a bunch of people all waiting to try to do my job better than me when this guy walked up asked "Hey, can you play ANYTHING from the 90s?"

He mean it as an insult, because apparently he'd hated every song I'd played thus far. I explained politely that songs from the 1990s simply weren't part of my show. "Sorry man," I said as friendly as I could and began my second set.

He went back to his corner of the bar began shouting out HIS requests after every song I played. One beer later and the requests turned into quaint colloquialisms. I wondered how he could hate me so much that some lady massacring "Free Bird" karaoke-style was, in his eyes, a better alternative.

But I maintained my composure because, well, we're in crisis and he was a fellow American.

With 15 minutes left in the show I launched into the Jagermeister Song, my signature song and the reason I have a career. It was then that he decided to critique the tempo at which I played the very song I'm known for.

Now maybe the Tastee Freeze this guy sweeps floors at exclusively hires Berklee College of Music graduates, but I doubted it. I stopped the song cold and snapped "Do you even KNOW what song I'm playing?"

There was no answer. It's all fun until the guy with the PA singles you out.

"I've played this song 30,000 times," I said very deliberately, as if explaining something to a toddler. "I happen to know for a fact that this is the perfect tempo to play it at."

He didn't say another word and I finished my show without incident.

But I'm feeling guilty - like I've broken rank with the rest of America. Yes, I refrained from telling him exactly what I thought about his lineage and I'm reasonably sure the international community didn't notice that for one brief moment not ALL Americans were standing united.

But what if it happens again? What if some telemarketer calls me when I'm feeling cranky? What if some guy cuts me off and I forget my patriotic duty? I mean, I don't want to be the weak link in America's war on terrorism - I don't want to be the one to let my country down.

For now I'm going to do what I can to restrain myself and stand united with my fellow Americans. I may even buy a few flag-and-eagle emblazoned patriotic tee shirts as penance. But rest assured I'll be counting down the days until it's socially acceptable to get back to American traditions like yelling at complete strangers or flipping off random motorists.

Just let me know, okay?

This column © 2001 Lee Totten