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OCTOBER 9, 2001

...And I Know It

It's days like these I'm glad I'm not a poet.

You know -the days when nothing seems to be going right? The days when the downside of self-employment rears its ugly head in the form of inconsistent pay checks, the lack of a good health plan (okay, ANY health plan) and the fact that no matter how many times I re-enter the numbers, the balance at the bottom of my Quicken page is something only marginally above zero? I'm tired of fighting an uphill battle, I'm tired of pouring my heart and soul into a song only to have some guy say "Hey buddy, when you're done with that can you play some James Taylor?" I'm tired of waking up and wondering what the hell I'm really doing with my life.

This is one of those days.

Making a living as a musician is, at times, hard. Late nights, lots of travel, drunk hecklers, crappy clubs, and a chance of big success hovering somewhere at about a million to one against. And let's face facts - the music business doesn't, and probably won't, ever care about music or art. They care about SALES. That's why they call it business.

Musicians, on the other hand, could care less about business. If we did care, we'd have our MBAs and be working for labels as executives making millions off of boy band projects designed to sell merchandise to thirteen year old girls.

It's the old square peg/round hole dilemma.

But still, the chances of succeeding in the music industry seem as easy as getting a job at a fast food restaurant when you compare it to the career path of a poet.

I know a lot of creative people with interesting full-time jobs - golf pros, musicians, cartoonists, writers, photographers, chefs, music producers and editors - but I don't know a single full-time poet. There's probably a reason.

Seriously, when was the last time you left Blockbuster without a movie so you could swing by the library and pick up a little poetry for the evening. Have you ever said to yourself "You know, I'm really in the mood for a little poetry."

And guys - reading poetry to your woman as some weak attempt at foreplay doesn't count.

If you are one of the few people who does read poetry on a regular basis, chances are you lean towards the dead, famous kind rather than the living, unknown kind. Even painters, long known as a profession which values it's talent dead rather than alive, can whore themselves out to do architectural renderings, carnival portraits or oil paintings at the mall from your photograph.

Poets don't have those opportunities. They're relegated to writing in obscure little journals that only other poets read, crashing open mikes to try to win over a crowd more interested in hearing music, or sending the occasional poem to the editor of the local paper. They get lumped into poetry contests with every sixteen year old girl who submits some sort of an unrhymed dissertation about the unbearable agony of being a teenager. They write the really sensitive greeting cards that everyone feels they should buy for their mother.

Oh sure there was a time when it seemed like the poetry thing was going to break wide open - back in the sixties and early seventies when the beat poets were all the rage. It was cool, it was hip. People went out, saw poetry live and dug it.

Of course once the psychedelic drugs wore off people woke up and wondered what the hell they were doing and why they ever thought bell bottoms were a good idea, and poetry fell out of fashion for good.

Now I'm not knocking poets - I was an English major after all. I have certainly skimmed my share in college and read a bunch in the years following - mostly as a weak attempt at foreplay, but still... I think that poetry is a beautiful, stark, cunning and insightful medium and certainly in the history of the so-called civilized world there are a number of terrifically significant poems.

I'm just saying that from a make-a-living-for-the-rest-of-your-life standpoint, pretty much ANYTHING is easier.

Even being a musician.

This column © 2001 Lee Totten